Full service production sound for shoots on stage and on location.
I'm a production sound mixer based in New York, working in film, commercial, and branded content. I bring the gear, and assemble the right sound team, to fit the needs of the shoot big or small. Whether that's a solo day or a full crew, I have the relationships, equipment, and experience to have you covered. Past clients include Google, Vogue, Paramount, and HBO. If you're producing a shoot that needs sound done right the first time, I'm your sound guy.
How I work
Every shoot is different. Here are the three ways I work with production companies, agencies, and films. Not sure which fits? Tell me about your project and we'll find the right fit for you.
Solo Mixer
For interviews, single-camera shoots, and smaller commercial or branded days.
I run a complete sound package on my own. This is the right call when the shoot is contained, the camera count is low, and the day doesn’t call for a dedicated boom operator. You get a full professional kit and a mixer who’s handling capture, wiring, and monitoring all at once, kept simple for a simple day.
Mixer + Boom Operator
For scripted commercials, branded content, and most multi-camera days.
A two-person sound department. I mix while a dedicated boom operator works the scene, which means cleaner tracks, faster resets, and proper coverage when blocking gets complex. This is the standard configuration for most commercial work, and the one I’d recommend whenever there’s real dialogue and a schedule to keep.
Full Sound Team
For multi-day builds, large-cast scenes, and high-complexity productions.
Mixer, boom operator, and utility sound technician. The utility handles wiring talent, managing comms, and keeping the department moving so nothing slows the day. This is the configuration for the most demanding shoots, on stage or on location, where the volume of talent and the pace of the day need a third set of hands.
Gear packages
Every configuration ships with Sound Devices mixers and recorders, Lectrosonics wireless systems, DPA microphones, and timecode sync, in a bag or cart build depending on the shoot. Common add-ons: additional wireless lavs, boom mics, and Comtek/IFB monitoring for clients and crew.
Service area
New York City and the tri-state area, on stage and on location. Available for travel anywhere in the world; travel days and expenses are billed separately.